Welcome to Louise De Masi’s Watercolour Tips Blog, your ultimate resource for mastering the art of watercolour painting.
Dive into expert advice, step-by-step tutorials, answers to common questions and creative techniques to elevate your artistry. Whether you’re a beginner or an experienced artist, Louise’s insightful posts cover everything from basic brushwork to advanced colour blending. Discover how to choose the best materials, perfect your painting skills, and find inspiration for your next masterpiece.
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In the realm of watercolour, the alchemy between artist and artist's supplies transcends the physical; it becomes a dialogue, a shared journey towards creation. Each tool and medium in my studio has been chosen not just for its quality, but for the unique voice it brings to this conversation. Let me share with you the essence of these relationships, the soul behind each choice, and the indispensable role these art supplies play in my art.
Read MoreSynthetic brushes are not only good for watercolour painting; they are an excellent choice for many artists. Their durability, versatility, and ethical production make them suitable for a wide range of watercolour techniques, from broad washes to fine details.
Whether you’re a beginner looking for a cost-effective way to start painting or a professional seeking reliable tools, synthetic brushes offer quality and performance that can meet—and even exceed—your painting needs.
Read MoreOpacity is influenced by the degree of dilution in watercolour paints. Water is used for diluting watercolour paint, and the extent of dilution directly impacts the tonal value of the paint colour. It's worth noting that transparent pigments, when applied to the paper at their full intensity (with minimal water added), can appear opaque. On the other hand, when water is used to thin down opaque pigments, they can show a more transparent quality.
Read MorePainting on Aquabord offers a unique experience compared to traditional watercolour paper. Watercolour paper encourages exploration and experimentation, striking a delicate balance between control and spontaneity. The paint dances over the wet paper, producing surprising and delightful effects.
However, painting on Aquabord requires a distinct and different approach. The clay surface is absorbent and it doesn't stay wet for long. When I use it, I have to change my normal painting method.
Read MoreTo test both of these mediums, I took two glasses and used two pipettes. In one glass, I put 5 drops of gum arabic, and in the other, I added 5 drops of ox gall. Then, I painted rectangles of each solution in my watercolour diary, alongside a rectangle using just plain water. I watched them dry, and indeed, the rectangles with the mediums mixed into the water stayed wet longer than the rectangle with plain water. However, the difference in drying time was marginal. Nevertheless, I was still hopeful that these mediums would make a difference to blending and drying times when I was painting.
Read MoreIt is possible to use gouache and watercolour together in a painting, but it is recommended to apply gouache towards the end of the painting process due to its reactivity with water. Also, as I mentioned, gouache is an opaque medium that can cover watercolour, whereas watercolour is transparent and cannot cover gouache.
Read MoreOne major difference between pan paints and tube paints is their form of packaging. Pan paints come pre-dried in a plastic or metal container where they can be easily stored, while tube paints are packaged in small containers with a twist-off cap that contains wet paint.
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