You’ve probably heard of the rule of thirds - it’s a common compositional guideline that divides your canvas into a grid of nine equal parts, with two horizontal and two vertical lines. You might’ve noticed this grid when using the camera on your phone. The idea is to place your key elements along these lines or at their intersections to create a more balanced, engaging composition.
Read MoreDifferent types of salt can produce different results. Coarse sea salt, with its larger crystals, tends to create bold, dramatic textures, while table salt results in smaller, more delicate starbursts.
It’s fun experimenting with both to see what kinds of patterns they produce on your watercolour paper.
Read MoreColour mixing is essential for any artist because it offers flexibility, enabling you to achieve unique tones and adjust the vibrancy or mood of your work. Whether you're painting landscapes, portraits, or still lifes, the ability to create custom shades gives you more control over your composition and allows for a greater level of depth and harmony in your artwork. It also teaches you how colours interact, deepening your understanding of pigments and how they behave on paper.
Read MoreSealing a watercolour painting can be an excellent way to protect it from environmental factors, especially if you plan to display it without glass. When a painting isn’t framed behind glass, it is more vulnerable to moisture, smudging, and dirt.
Applying a protective sealer or workable fixative creates a barrier over the surface, adding extra durability to your artwork. For those who like to give their pieces a modern, glass-free look, sealing is essential.
Read MoreThe choice of watercolour brush can significantly influence the outcome of your washes. A larger mop brush is ideal for laying down a flat wash, as it holds a considerable amount of water and paint, allowing for smooth, even coverage. When applying a graded wash, a smaller round brush can give you more control as you gradually change the intensity of the colour.
Read MoreDraw the Grid: Connect the marks with straight lines, running both horizontally and vertically across the entire surface of your sketch. Be sure to keep your lines light; you want them to be visible but not overpowering. If you’re concerned about the lines showing through, use a lightbox or tape your paper to a window to keep the lines faint.
Some artists also use diagonal lines to help maintain proportional accuracy when transferring more complex images.
Read MoreOne of the most exciting parts of starting a new watercolour piece is getting your sketch ready on the paper. But transferring that sketch, aka tracing a drawing, can be a bit tricky, especially when you want to preserve the delicacy of your watercolour paper.
There are several methods to do this, and today, we’ll explore some popular techniques, discuss which pencils work best, and answer the age-old question: is it “cheating”?
Read MoreWhen working on Aquabord panels, just like with watercolour paper, it's important to wait until the paint is completely dry before adding more layers, or things can get messy. Washes on Aquabord often dry patchy, but I’ve learned not to worry too much about that since they can be smoothed out with a damp brush once fully dry.
Read MoreMany beginners fall into the trap of overthinking their paintings. Instead of letting go of the outcome and allowing themselves to be creative and have fun, they become tense and try to analyse every detail. This overuse of the left analytical brain can stifle creativity, overshadowing the intuitive and spontaneous process that is essential in watercolour painting. Finding a balance between analytical thinking and creative expression is key to enjoying the artistic journey and achieving satisfying results.
Read MoreThis still life watercolour painting holds a special place in my heart because it reminds me of my nanna. She used to gather fallen camellias from her garden and place them in a beautiful glass bowl filled with water, letting them float gracefully in the centre of the table.
I have a camellia tree, and as I was taking photos of the blossoms to use as painting references, one of them fell to the ground. This instantly brought back memories of what my nanna used to do, inspiring me to create this painting.
Read MoreUnderstanding the temperature of the colour grey is crucial in painting as it directly influences the mood, atmosphere, and overall aesthetic of the artwork.
The temperature of greys can evoke specific emotions and set the tone of the painting. Warm greys, with hints of red, orange, or yellow, often create a sense of warmth, intimacy, and comfort. They can be used to convey feelings of coziness or nostalgia, making them ideal for depicting sunny interiors, cozy firesides, or intimate gatherings.
Read MoreAquabord is a unique painting surface created by Ampersand Art Supply, designed specifically for watercolour and other water-based media. Aquabord is available in various options, including flat panels and cradle profiles. The texture of Aquabord is similar to cold-pressed watercolour paper, allowing colours to retain their purity and vibrancy. Unlike traditional watercolour paper, Aquabord is made from a rigid, absorbent clay surface that is applied to a hardboard panel.
Read MoreWhen your paint no longer offers the sheen of freshness, it's time to step back and let the canvas breathe. Embrace this moment of stillness, allowing the paint to dry completely before introducing more pigment. This necessitates a swifter approach to your strokes - often a leap for watercolour beginners, who tend to meticulously shape their washes, giving time for the edges to start setting.
Read MoreSynthetic brushes are not only good for watercolour painting; they are an excellent choice for many artists. Their durability, versatility, and ethical production make them suitable for a wide range of watercolour techniques, from broad washes to fine details.
Whether you’re a beginner looking for a cost-effective way to start painting or a professional seeking reliable tools, synthetic brushes offer quality and performance that can meet—and even exceed—your painting needs.
Read MoreBackgrounds in art fill the critical space between the subject and the frame, turning empty canvases into resonant scenes brimming with life. They define the positive (subject) and negative (space around the subject) spaces, adding layers of depth and context. A background can support the main subject with a contrasting or complementary backdrop or even steal the spotlight, as Vincent van Gogh’s “Starry Night” beautifully illustrates. They're not just settings; they're expressions, setting the mood, suggesting settings, and influencing the viewer's emotional response.
Read MoreDiving into the world of watercolor painting can be both exhilarating and a bit daunting for beginners. With its beautiful washes and vibrant hues, watercolor art offers a unique medium to express creativity. However, the thought of mastering this fluid form of painting might seem overwhelming at first.
Read MoreLet's face it, we're all busier than a set of watercolor brushes at a plein air festival. Finding time to paint can feel like trying to squeeze another color onto an already crowded palette. But here's the kicker: you don't need to carve out a massive chunk of your day. Setting a specific time for your art, be it early morning or late evening, creates a sacred ritual. It's like having a coffee date with your creativity, and trust me, your muse appreciates punctuality.
Read MoreUnstretched paper naturally buckles when water and wet paint are applied, as the paper's fibres expand, creating an uneven surface that presents challenges during painting. This buckling can result in unexpected streaks, blooms, and undesirable edges, ultimately compromising the intended effect of the artwork. As well as that, the buckled paper may dry unevenly, which not only effects the painting process but also the presentation of the finished painting. Techniques like wet-on-wet or gradients, which rely on precise control over the paper's moisture, become difficult to execute effectively when the paper is not properly flattened.
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